The dual character of Visual-Organismic Dream Analysis consists in the fact that it is a work of art and at the same time a psychotherapeutic methodology. As a visual artwork, as well as a psychotherapeutic service, it is a product, therefore it becomes marketable, but with its inherent autonomy it simultaneously rejects its commercial character.

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There is no doubt that the time of human life also has a dual character, vigilance, which is mostly accompanied by a relatively low level of consciousness, and sleep, where the unconscious usually dominates exclusively.

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When we are awake, the innocent game of our well-organized everyday life, full of virtual flashes and nervous impressions, is not unlikely to cause in us paradoxical blindness and immobilization.

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By adopting the conclusions  of the theory of negative entropy (order, organization, evolution) with its tendency towards increasing entropy (disorder, disorganization, stagnation) that are related to the psychotherapeutic perception of the human psyche and at the same time by accepting the linear course of visual art from realistic representation of imitation towards abstraction, we end up at the zero point that our daily neurotic action may lead us to. Our obligations, activities, programs seem to result at the end (of the day) in chaos.

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It is precisely this moment of silence that constitutes the beginning of the Visual-Organismic Dream Analysis. In sleep, the human psyche is left to the movement of the negative entropy of the dream, which creates a well-structured new narrative in the form of a universe of images.

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The protagonist of this narrative is the dreamer, the commissioning art lover, the analysand who narrates his dream and retains the right to forget, repress, reject, adapt and counter-propose images. The assistant role is taken by the body psychotherapist and visual interpreter, who meticulously notes down and records with different visual media, the entire action of the dream and all free associations of both him and the dreamer.